Thursday 31 January 2008

Review: Before the Devil Knows You're Dead

Before the Devil Knows You're Dead is a dark crime thriller, following the events surrounding a family's involvement in a botched jewellery store robbery. Philip Seymour Hoffman and Ethan Hawke star as the brothers at the centre of the story, with Albert Finney as their father and Marisa Tomei as Hoffman's wife.

The acting throughout is pretty much flawless, with the four principal characters playing off each other brilliantly throughout. The fraternal relationship at the centre of the film reminded me of 'We Own the Night', but whereas Wahlberg and Phoenix (a more natural pair of screen-brothers, in appearance at least) didn't sit entirely right as siblings in that film, Hoffman and Hawke, despite perhaps not looking like relations, pull off a much more convincing interaction here. In their scenes together, Hoffman, Hawke and Finney really feel like a broken family, and while the script avoids giving away specifics about their childhood experiences, there is clearly an unspecified pressure building under the surface throughout.

In acting terms, Hoffman stands out yet again as an amazing character actor and his portrayal of Andy Hanson is vile, selfish and almost totally unlikeable, without ever descending into caricature or melodrama. Hawke and Finney also do good work, and in any other film their performances would probably stand out as magnificent, but it's almost impossible to compete with Hoffman at his best.

The story is told in a slightly odd fashion, jumping back and forth in the timeline of events and following different characters for periods of time. This is an interesting choice, and one that I'm not sure necessarily works. Moving around in the timeline can be useful as a technique for revealing unknown plot points that shed a different light on previously-seen events, causing the viewer to re-evaluate their assumptions. However, in this case there isn't really that much to reveal, and so the jumping back and forward in time simply ends up slowing the pace of the film down as sections are repeated from different points of view without really adding anything to the experience.

The plot also seems a little threadbare at times. There are a lot of different plot strands, some only hinted at, and a fair amount of unexplored references to the family history. The female characters especially seem underused, with Tomei the most visible still taking a back seat during most of the film to the three leading men. It seems as though by concentrating more on particular relationships and maybe giving a little more background, the film could have evoked a more powerful reaction, though I am also not unhappy to see a film that is comfortable in its ambiguity.

The film as a whole is enjoyable, and watching the tension rack up and the family start to self destruct is (while not necessarily pleasant) compulsive viewing, but really the main thing bumping it up from a good film to a recommended one is Hoffman's performance, which swings from simply greasy and selfish to unpredictable and finally outright terrifying. The plot seems to think it has more to reveal than it really does, but there's enough there to keep you watching, and if you can handle the ambiguity and lack of resolution, there's an interesting couple of hours of entertainment here.

Verdict: Tense, interesting, character study with great performances from everyone. Sketchy plot and potentially unsatisfying ending take the shine off an otherwise intriguing piece. 7/10

Wednesday 30 January 2008

Jeremy Beadle R.I.P.

I was sad to hear Jeremy Beadle passed away today at 59 after going into hospital with pneumonia a few days ago. He's someone who I remember vividly from the TV of my childhood on programmes such as You've Been Framed and Beadle's About, which is probably why I was saddened to hear about his death even though I'm not a particular follower of his career. Having read about his life in the media today, it seems as though being a TV presenter was only one of many parts of his work. He seems to have been a generous and intelligent man. It's a shame that his life has ended at only 59.

Tuesday 29 January 2008

'Is' and errs

This article is something I stumbled upon this evening, and considering the recent posts here about Facebook I thought it fit rather nicely into the discussions.

I'm not going to do a huge entry on my own feelings about Facebook, as they can be summed up neatly in a few sentences. I use it, mainly for convenience of contact with friends (especially as MSN slows down my rubbish laptop too much to bother running it). I preferred it when it was solely a university-based social networking site. I also preferred it without most of the applications (a few of them, such as Flixter the film review application, I love; some I use but wouldn't miss if they weren't there; the majority I wish didn't exist). I've grown to accept how Facebook has changed now, and I use it the way I always have. Occasionally it grates on me that I feel I'm going to get repetitive strain injury from scrolling down some of my friends pages - past the aquarium, the horoscope, the "Which Buffy character are you?" frames and the Little Britain quote generator - just to see their wall.

Anyway, it seems James Rivington (the guy who wrote the article) has developed a loathing for Facebook which started when the applications were introduced and has continually increased ever since. Fair enough, I too find the applications annoying as I stated above. However, Rivington then appears to take his hole-picking and hatred to a new level. He comments on Facebook's decision to remove the mandatory 'is' from the beginning of your Facebook status, and basically makes this out to be a huge problem and one that will encourage people to be vain and post irrelevant status updates.

To a limited extent I see what he means. The unavoidable use of 'is' does point users to a particular type of status. However, I don't think that taking away the 'is' has made a huge amount of difference. It just gives people that little bit of extra freedom in choosing their own verbs with which to start their status updates. Rivington's fears of vanity and pointless statuses seem trivial, as I'm fairly sure most of the people who wanted to be vain and write pointless things on the internet did that perfectly well with an 'is' in front of their name on Facebook, and will continue to do it just as well without one. "Chad is MONSTER HOUSE PARTAY 2NYT BRING BEER OOH YEH!!!" will simply now become "Chad MONSTER HOUSE PARTAY 2NYT BRING BEER OOH YEH!!!"

Essentially, Rivington comes across as someone trying to find further reasons to hate something they've already stated they hate. He talks about people loving the sound of their own voice, but seeing as his article is a mixture of weak criticism and repetition of his own opinion, maybe he should take a look at the ironic status his own article has placed upon its writer.

Priorities

There's a year between them, so clearly some of the difference in numbers comes from an increase in the general userbase, but I reckon this is still a nice comparison:

Petition against the introduction of ID cards: 28,048 signatures

Petition to install Jeremy Clarkson as Prime Minister: 43,322 signatures

commuting tales

At London Bridge station they have Oyster Card readers stuck to some station pillars, to allow people who use their cards to swipe in and out without the endless barrier-induced queues. However, I have this fear that these readers are going to reach out and read the card in my wallet, in my coat pocket. So, I alwayy keep my distance, which, when I look at it, seems silly.

There's also a building, or, more appropriately, a building site, on my way to work. When I first started it was just a hole in the ground, then this was filled with cement (or what I assume was cement) and now there's a large concrete tower with what look like hooks on it. I'm assuming they hang the various stories of the building from these hooks, but am looking forward to seeing further construction. At the moment this is being played to me somewhat like those nature shows about plants, only in really slow motion (or, in fact, real time).

Monday 28 January 2008

Film Review: Charlie Wilson's War (cinema)

Although Charlie Wilson's War sports some of the biggest names in Hollywood - Tom Hanks, Julia Roberts and Philip Seymour Hoffman - who are all at, if not approaching, the stage of their careers where they can sell a film by simply having their name on it, by far the biggest reason I wanted to see this film was that the screenplay is written by Aaron "The West Wing" Sorkin. A political drama film screenplayed by the man who wrote arguably the best political drama series ever made (and what is in my opinion the best TV series ever made) was something I wasn't going to pass up. Did it disappoint? Certainly not.

I'll say this now. It's not as good as The West Wing. But I wasn't expecting it to be, and if any West Wing fans went in expecting that then they'd set themselves up for a disappointment before entering the cinema. Sorkin's touch with political dialogue and situations can be felt throughout it however, and the film is all the richer and more enjoyable for that. There are scenes with large amounts of complex political language in them, much like many scenes from Sorkin's TV series, to give an authentic feel to the film. It's not worth getting bogged down in trying to understand every intricacy however, as the dialogue is by and large a vehicle to get across the character of the people saying it. And it works very well.

Tom Hanks unsurprisingly delivers in the lead role. Julia Roberts, who can become overbearing in films, also does well as Joanne Herring, a part which benefits from a lack of exposure throughout the film. It is Philip Seymour Hoffman who steals the film however as Gust Avrakotos. Hoffman provides a brilliant blend of hostility and humour whilst maintaining his character's authenticity. The scenes Hoffman shares with Hanks are absolutely excellent.

The plot, based around actual events, manages to be both poignant and funny throughout. The ending, whilst clearly sending a message about current international affairs and conflict, neither feels preachy nor tacked on, and leaves the film on a note for the viewer to ponder.

Nothing from this film stands out as a significant failing. The first fifteen minutes or so feel a little slow, but once the film gathers momentum this is forgotten and is no longer an issue. Hanks' character of Charlie Wilson could have benefited from some more background on his work as a congressman before he became involved in the Afghan conflict. These are minor niggles however.

Verdict: a highly polished and entertaining political film with an excellent cast and superb script. 8/10

Film Review: Sweeney Todd - The Demon Barber Of Fleet Street (cinema)

Johnny Depp is excellent in the title role, bringing an unnerving menace to Sweeney Todd whilst making the torment he feels from his past wholly believable. Helena Bonham Carter again does well as Mrs. Lovett. Both Depp and Carter, despite not being professional singers, handle the large amount of songs their characters sing well throughout. I'm in no way an expert in singing, but I was particularly impressed by Depp. Sacha Baron Cohen puts in a sterling comedy performance as Pirelli; Alan Rickman and Timothy Spall unsurprisingly don't disappoint; and the rest of the supporting cast are also solid.

Not being familiar with the stage musical, I can't make comparisons to that. The film is polished and gothically stylised, with echoes of previous Tim Burton films (such as and Edward Scissorhands and Batman Returns) coming through. The plot advances well, if a little slowly to begin with, but the pace soon picks up. The music, presumably taken from the stage production, suits Burton's dark and grimy London well.

Generally there were no major faults with the film. If you're not one for songs in films, or musicals in general, then this is probably one to avoid even if you're a Johnny Depp or Tim Burton fan. I'd also warn those who are not fans of gore, as many of the death scenes are fairly brutal, occasionally verging on the gratuitous.

Verdict: a solid and enjoyable film, well made and acted. Tim Burton continues to impress. 8/10

the McAlevel, and other news

(all seen in today's guardian)

McDonalds are now offering an A-Level in burger bar management after the company won government approval to become an exam board. I have many questions about this, what is the qualification worth (the standard xxx ucas points?) and will they offer it to other burger chains? Will burger king employees be able to take the same paper(?)?

I'm for people being able to qualify / valuate their training in jobs as it will make it easier for future employers to see that candidates have actually got experience and a qualification, rather than a wonderful piece of prose in their CV. But trying to peg them to national qualifications, such as A-Levels seems falacious, and it would be much easier to just have an in-house qualification.

Still maybe working at McDonalds will lose some of it's negative associations when you get a shiny qualification out of it.

In other news the most corrupt man in the world, Ex-President (dictator) Suharto of Indonesia has died, but apparently in this case the crimes of the father will pass on to the sons (and other familly members).

The news cameras (fully 4 at the last count) are also parked outside my office (see post below for why), which is quite exciting. No-one's asked me any questions yet, but I'm fully prepared with my "No comment" response and waving my hand in the camera.

Sunday 27 January 2008

Let's talk about sex, baby...

Actually, let's not. It'd just get really awkward really quickly, and no one would get anything useful out of it. However, the sex title was not for nothing, and was a sly tactic to allow me to plug a few sex-related blogs that I have started reading recently:

Girl with a one-track mind: Excellent, long running and massively popular blog about the sexual adventures of a modern woman [introduction][example post]. Via which I was pointed to the excellently named Todger Talk, an attempt to give a sensible down-to-earth sexual information resource aimed at men, "without the bullshit, bravado and misinformation" [introduction][example post].

Moving smoothly on from that last example post, and sticking with the prostitution theme, I'll point to Letters from Working Girls and Letters from Johns, which are companion blogs from opposite sides of the transaction, as it were. They're pretty new (both only started this month), and are updated infrequently, but I've enjoyed the range of stories and perspectives provided, even at this early stage.

So there you go, four 'sex blogs', though all approaching things from different angles. As I say, I've only just started reading them, so no guarantees of continuing quality (or even existence), but thought I'd try and share my first experiences of this interesting genre of bloggery.

In order to pad this entry out a little, I'll also list a couple of other non (or at least non-specifically) sex related blogs that I've also picked up over the last week:

BĂȘte de Jour is a thoroughly well written blog from the perspective of someone plagued with the kind of physical and social difficulties that the vast majority of people never even come close to experiencing. On the sex-theme again, I found it via a link to this post from girl with a one-track mind.

Finally, Trick cycling for beginners has nothing to do with sex (per se), but is a great look at the trials and tribulations of a junior psychiatrist. It's one of a number of the web of career-blogs that I've slowly been burrowing through, and I think I got to it via a comment on NHS Blog Doctor.

So, anyway, I hope you start to read (or at least try to start to read) some of those I've named, and that you weren't too disappointed by the fact that this was just a carefully disguised links post. Looking through any of those linked to would be much more interesting and enlightening than anything that I could say on the subject, anyway.

Friday 25 January 2008

Linkables 25/1/8

Seriously, I've got like 5 proper posts sitting in the 'todo' pile, including a couple of film reviews, but I just don't have the energy right now. So, another set of hopefully-interesting, possibly-exciting, and certainly-easy-to-produce link lists:

First up, I have had the song 'Rockstar' by Nickelback stuck in my head for five days now. The only reason it hasn't driven me totally mad yet is that I do actually like the song quite a bit (again, just ignore my taste in music if you can), and particularly like the video. I'm not going to try and work out what I like about it, but I actually find it quite a feelgood experience to watch it, despite the fairly shallow sentiments of the song itself. So, anyway, here's the video along with excellent spoof (of the song, not the video).

Next, a cool little 3D puzzle game. Takes a little while to get the concept down in your head, but most of the ten listed here are pretty easy once you've got the hang of the interface. Fun little distraction, though.

A little repository ostensibly holding technical interview questions, but really just a set of brainteasers. Included here because I really liked the pirate one.

This Wii headset hack is just mindblowing. Seriously. Can we all say 'future of gaming' together now...

And, on a gaming note, we have the awesome speed demos archive, which I found a while back but never linked to. It's just a repository of the fastest speed runs on different games, without cheats, but with glitches allowed (so you can't use noclip to walk through walls, but you can jump over them if you can manipulate the game physics to let you). I have found that watching someone complete a game that I struggled with for days in half an hour is a humbling and relaxing experience.

An interesting article on the ways different cultures view the world and a sad article about one of the cultures that maybe didn't have what it takes to survive in the modern world.

Finally, an excellent list of desirable traits. I think it's pretty close to the list of qualities I would hope to cultivate in myself anyway, but it's interesting to see them enumerated. If you notice me failing to fulfil any of these at any time, don't hesitate to tell me. Seriously, it's hard to both analyse and modify your own behaviour the whole time, so let me know if you notice I'm overlooking some of these anywhere. Possibly the only one I would add to the list would be a sense of humour about things. There is a time for serious discussion, but also a time for making light of things, and a person should be able to see the humour even in the things he or she cares about deeply.

That's all for now. Enjoy your weekend :D

Thursday 24 January 2008

Wednesday 23 January 2008

Unfortunate Juxtaposition

Today's Metro had a quick change of front page this morning, from this:
to this:
Possibly just a change of emphasis, but an awkward initial headline to be sure. It reminded me of a couple of similar juxtapositions/mistakes I caught from my old AOL days (expand for full effect, items of interest marked in red):

In response to the death of Heath Ledger

This started out as a comment on Telf's last entry, but grew in length so I decided to make my own post.

The death of Heath Ledger is truly a shame. Every film I'd seen Ledger in he had impressed me more. Through his passing I can't help but feel the world of film has been denied a future screen icon.

No doubt he'll be remembered in the main for Brokeback Mountain, a film I've yet to see. I'll remember him as Patrick in Ten Things I Hate About You as that was the first film I remember seeing him in and being really impressed. I'm not usually a teen comedy person on the whole, but I studied Ten Things... for my dissertation module in the final year of my degree and enjoyed it a great deal more than I expected. That was in no small part to Ledger's performance. His performance incorporated elements of Arthur Fonzerelli in Happy Days to The Breakfast Club's John Bender, and did justice to Shakespeare in a genre that lends itself very easily to a lack of credibility.

Hopefully his performance as The Joker in the forthcoming The Dark Knight will serve as a fitting eulogy to his acting career. If the buzz surrounding the film is anything to go by, ironically it may serve as an indicator of a brilliant career that will now never be.

R.I.P. Heath Ledger.

Tuesday 22 January 2008

What a total fucking shame

Heath Ledger is dead.

This is pretty much the first time I can remember feeling seriously and genuinely sad about the death of a celebrity. Which is weird, because looking at his filmography, I haven't even really seen many of the films he's been in. I guess he was just someone on the periphery of my film knowledge, who I had mentally assigned as someone I would happily go to a film to see, even if I knew very little else about the film.

I don't even really know why I feel sad, except that it seems like such a waste that he's not going to be able to do anything else and I guess subconsciously I was looking forward to all of the films he would make in the future.

I hope The Dark Knight is as good as the hype seems to be building it up to be, as it seems like it could be a really excellent performance from him.

Either way, RIP Heath.

Monday 21 January 2008

Tomes.

Thanks to the amount of time it took me to get that post written, I've got a number of shorter posts to get on here over the next few days. This is the first of those, and concerns the greatest impulse buy ever. I tend not to actually purchase media in general - I read, watch and listen to as much free stuff as I can, but I've never really got around to collecting books or discs of any sort. Hence my surprise when I found myself in possession of two awesome comic anthologies, The Complete Far Side and The Complete Calvin and Hobbes.

It's really difficult to state in words the magnificence of these items. They are weighty, truly weighty, to the point where it is a struggle to carry both of them for any length of time. They feel like ancient lexicons of some forgotten religion, and, from what I have experienced so far, brilliantly laid out and constructed.

I really don't have a huge amount more to say, other than that even if I had no other commitments, in between basking in their majesty and actually reading them (the sacrilege!), they could keep me comfortable occupied for a number of months. As it is, I can't imagine how long it'll take me to get through them all, but I'm looking forward to it immensely.

..who needs anemones?

This is a response to an article by Tom Hodgkinson in the Guardian last week concerning his reactions to the rise of facebook and the security and privacy concerns involved. I've interspersed my responses with his text because that was the method that seemed most natural at the time. It makes the post a bit lengthy, but I've done what I can to reduce the size of it.

It took me about a week to actually finish writing it, mainly due to a lack of free time at the moment, so it's a bit waffle-heavy and fairly repetitious at times. For a more succinct and better written view of what I was trying to say, you could glance through here.

Anyway, here goes, with the original article in italics, and my responses in red:

"I despise Facebook. This enormously successful American business describes itself as "a social utility that connects you with the people around you". But hang on. Why on God's earth would I need a computer to connect with the people around me? Why should my relationships be mediated through the imagination of a bunch of supergeeks in California? What was wrong with the pub?"

Missing the point completely. Facebook (and social networking sites in general (and the internet in even more general)) are not something you ‘need’ to communicate, any more than you ‘need’ a car to travel. You may as well ask ‘Why should I need a car to travel down the road and get a paper? What’s wrong with a good old fashioned stroll?’.

If you can meet all of your friends in the pub, any time you want to, instantly, then you probably have very few friends and live in a pub. Failing that, the power of facebook is connecting you to the people around you who you aren’t currently engaged in the act of talking to.

"And does Facebook really connect people? Doesn't it rather disconnect us, since instead of doing something enjoyable such as talking and eating and dancing and drinking with my friends, I am merely sending them little ungrammatical notes and amusing photos in cyberspace, while chained to my desk? A friend of mine recently told me that he had spent a Saturday night at home alone on Facebook, drinking at his desk. What a gloomy image. Far from connecting us, Facebook actually isolates us at our workstations."

You mean in the same way as anything it is possible to do on our own isolates us? Reading? Writing? Watching TV? Playing solitare? Sleeping? What a terrible affliction that we should waste our lives in such gloomy pursuits when we could be talking and eating and dancing and drinking non-stop.

As to your friend who spent the night alone at facebook drinking, it is naturally sad that he was choosing to do something as silly as communicating with people rather than the more noble Saturday night pursuit of getting pissed off his face and pulling a random in a club somewhere.

Facebook doesn’t isolate us; we isolate ourselves if we limit our communication and our interaction to impersonal means, as with every other communicative technology.

"Facebook appeals to a kind of vanity and self-importance in us, too. If I put up a flattering picture of myself with a list of my favourite things, I can construct an artificial representation of who I am in order to get sex or approval. ("I like Facebook," said another friend. "I got a shag out of it.") It also encourages a disturbing competitivness around friendship: it seems that with friends today, quality counts for nothing and quantity is king. The more friends you have, the better you are. You are "popular", in the sense much loved in American high schools. Witness the cover line on Dennis Publishing's new Facebook magazine: 'How To Double Your Friends List.'"

Because, of course, without facebook, the whole concept of ‘popularity’ was dying a death. Without numerical lists, people were confused about who to hang out with, and the notion of ‘cool’ was being replaced by a glorious utopia of equality, with rock stars rubbing shoulders with the homeless.

Again, putting forward and artificial representation of oneself in order to get sex or approval is a practice as old as society itself. In fact, in this respect, facebook provides the attractive possibility of being able to in some way validate someone’s claims. Put up a flattering photo? Well I’ll take a look at the other 700 you’ve been tagged in to check out what you really look like. Make an outrageous claim? I’ll verify it with one of your mates in a private message.

Facebook is not providing any new social interactions, it is simply allowing them to take place in a templated format online. If you’re obsessed with ‘top friends’ lists and how many friends you have on facebook, you probably have similar priorities in real life. It’s not like Mother Teresa would have stopped caring for the poor because she needed to log in and boost her friend totals.

"It seems, though, that I am very much alone in my hostility. At the time of writing Facebook claims 59 million active users, including 7 million in the UK, Facebook's third-biggest customer after the US and Canada. That's 59 million suckers, all of whom have volunteered their ID card information and consumer preferences to an American business they know nothing about. Right now, 2 million new people join each week. At the present rate of growth, Facebook will have more than 200 million active users by this time next year. And I would predict that, if anything, its rate of growth will accelerate over the coming months. As its spokesman Chris Hughes says: 'It's embedded itself to an extent where it's hard to get rid of.'"

Sorry, what ID card information is that? I didn’t give them any information off my non-existent ID card. Frankly, as long as I don’t see any more ads than I am going to anyway, I would rather the ads I see are targeted at me, because at least then there’s a slightly higher chance I’ll see something of interest, rather than just being surrounded by interminable emoticon ads and fake contest notifications.

"All of the above would have been enough to make me reject Facebook for ever. But there are more reasons to hate it. Many more.

Facebook is a well-funded project, and the people behind the funding, a group of Silicon Valley venture capitalists, have a clearly thought out ideology that they are hoping to spread around the world. Facebook is one manifestation of this ideology. Like PayPal before it, it is a social experiment, an expression of a particular kind of neoconservative libertarianism. On Facebook, you can be free to be who you want to be, as long as you don't mind being bombarded by adverts for the world's biggest brands. As with PayPal, national boundaries are a thing of the past."

Oh my goodness – look at me, I’m being bombarded by the worlds biggest brands. Need to buy a Sony Playstation … to release … the ... capitalist… guilt…

Seriously, it’s all very well talking about advertising revenue, but unless I’m looking at a different version of facebook to everyone else, there is very little actual advertising at all, and certainly no bombarding by ‘the worlds biggest brands’.


At this point, Tom Hodgkinson takes us through the background of Peter Thiel, one of the original investors in the facebook idea developed by Mark Zuckerberg, Chris Hughes and Dustin Moskowitz.

He takes a pretty detailed look at Thiel’s philosophy and politics, and while I certainly wouldn’t say that I agreed with them, I also feel that there are limits to being choosy about the products you use. I try to buy free range eggs, because I can see that the practice of battery-farming chickens is cruel, but I don’t have a problem using something financed by someone with a political view that differs from my own. Is there really a difference between these two stances? I don’t know. If there is one, I think that it is in the difference between the actual physical pain caused to chickens to produce battery eggs and the potential emotional pain caused by an increase in revenue for someone who I disagree with.

One could argue that by using facebook (and indirectly generating advertising revenue for Thiel), I am essentially sponsoring (and hence promoting) someone who’s views I disagree with. I don’t believe that this is the case, mainly because facebook in itself is not a product with any political stance. To get an indication of this, browse through the innumerable political groups available and have a look at some of the arguments going on. Ignore the trolling, flaming and poor grammar and spelling if you can, and just look at the range of views on show. Far from facebook being a political tool, it is a veritable smorgasbord of differing views and healthy discussion.

In this sense, then, I have no problem using such a service. I don’t believe that my use of facebook implies any more about my political views or my support or lack of it for investors than my watching programs on Sky shows tacit support for the politics of Rupert Murdoch, or my support for Newcastle United an endorsement of Sports World.

In the middle of this segment, Hodgkinson comes out with:

"Clearly, Facebook is another uber-capitalist experiment: can you make money out of friendship? Can you create communities free of national boundaries - and then sell Coca-Cola to them? Facebook is profoundly uncreative. It makes nothing at all. It simply mediates in relationships that were happening anyway."

This seems like a ridiculously cynical approach to the concepts involved. You may as well ask whether Google makes money out of curiosity, or ebay out of materialism. Yes, these companies do make money, and yes, they don’t create a physical product, but this is because they provide a service. And yes, they mediate in relationships that were happening anyway, but they are only able to do this because they improve some aspect of the relationship. If google did not make finding digital information easier, no one would use it. If facebook did not make communicating and keeping up-to-date with large groups of people easier, no one would use it. Ultimately, if Hodgkinson has a problem with capitalism, with the service industry or with advertising, there are surely bigger fish to fry than this particular website.


"The creators of the site need do very little bar fiddle with the programme. In the main, they simply sit back and watch as millions of Facebook addicts voluntarily upload their ID details, photographs and lists of their favourite consumer objects. Once in receipt of this vast database of human beings, Facebook then simply has to sell the information back to advertisers, or, as Zuckerberg puts it in a recent blog post, "to try to help people share information with their friends about things they do on the web". And indeed, this is precisely what's happening. On November 6 last year, Facebook announced that 12 global brands had climbed on board. They included Coca-Cola, Blockbuster, Verizon, Sony Pictures and Condé Nast. All trained in marketing bullshit of the highest order, their representatives made excited comments along the following lines:

"With Facebook Ads, our brands can become a part of the way users communicate and interact on Facebook," said Carol Kruse, vice president, global interactive marketing, the Coca-Cola Company.

"We view this as an innovative way to cultivate relationships with millions of Facebook users by enabling them to interact with Blockbuster in convenient, relevant and entertaining ways," said Jim Keyes, Blockbuster chairman and CEO. "This is beyond creating advertising impressions. This is about Blockbuster participating in the community of the consumer so that, in return, consumers feel motivated to share the benefits of our brand with their friends."

"Share" is Facebookspeak for "advertise". Sign up to Facebook and you become a free walking, talking advert for Blockbuster or Coke, extolling the virtues of these brands to your friends. We are seeing the commodification of human relationships, the extraction of capitalistic value from friendships."

Again, this is a massive exaggeration of the advertising methods used, at least as far as I can see. Unless Hodgkinson has some kind of insight into the future advertising tactics to be used by facebook, I don’t know what he’s talking about as far as users becoming ‘walking, talking advert[s]’.

Brands are interested in advertising on Facebook because it is so popular, not because it is a capitalist paradise. An unsolicited recommendation is the most powerful form of advertising, and so the companies are naturally interested in getting people to recommend their products to each other. Facebook is simply an excellent platform through which this can happen.

Hodgkinson can talk about marketing bullshit, facebookspeak and evil corporations all he wants, but I can’t see that there is anything to worry about as far as advertising tactics go on facebook. Unlike in the real world, where changing a supplier for a service can be annoying and time-consuming, all it takes to change from facebook to any other social network is a few minutes and an internet connection. This means that facebook in particular (and internet-based service providers in general) have to be very careful about their user experience. If I get annoyed with Virgin Media because my internet keeps cutting out, I’m less likely to look for a new supplier, because I know that it will be annoying, disruptive, and more than likely, expensive. With facebook, however, the issues of privacy, information control and advertising could easily cause people to look for new social networking solutions.

Since the only thing holding the facebook community together is, well, the community itself, there exists a critical rate of user decline which causes a more devastating exodus to other pastures. This could be triggered by a deterioration in facebook service or in a perceived improvement in a rival (Orkut, Bebo et al.), or even the appearance of a totally new service (social networking startups are appearing and disappearing all the time) that offers enough of a benefit in the realms of data security and perceived freedom-from-oversight to leech off some of facebook’s users.

Hence facebook needs to be careful about the steps it takes. Users can be slow on the uptake initially, but if the online community turns against facebook, it could find itself dropped very quickly. The issue that has clearly appeared with regards to facebook is privacy, and so this is the area that they will need to watch in order to maintain their status.

"Now, by comparision with Facebook, newspapers, for example, begin to look hopelessly outdated as a business model. A newspaper sells advertising space to businesses looking to sell stuff to their readers. But the system is far less sophisticated than Facebook for two reasons. One is that newspapers have to put up with the irksome expense of paying journalists to provide the content. Facebook gets its content for free. The other is that Facebook can target advertising with far greater precision than a newspaper. Admit on Facebook that your favourite film is This Is Spinal Tap, and when a Spinal Tap-esque movie comes out, you can be sure that they'll be sending ads your way."

How annoying would that be – having an advert appear on your screen to tell you about a movie you might actually enjoy, based on movies you have enjoyed in the past. Those slimy advertising bastards, what will they think of next?

I am, of course, is assuming that this targeted advert is appearing in place of what would otherwise be a totally random ad. If facebook are going to start filling my screen with random extra ads, or God-forbid, target me with message- or email-based mailshots, then I’ll be shouting my disapproval with the rest, but I have no problem with ads on my page that are going to be there anyway being tailored to what facebook perceives to be my interests.

"It's true that Facebook recently got into hot water with its Beacon advertising programme. Users were notified that one of their friends had made a purchase at certain online shops; 46,000 users felt that this level of advertising was intrusive, and signed a petition called "Facebook! Stop invading my privacy!" to say so. Zuckerberg apologised on his company blog. He has written that they have now changed the system from "opt-out" to "opt-in". But I suspect that this little rebellion about being so ruthlessly commodified will soon be forgotten: after all, there was a national outcry by the civil liberties movement when the idea of a police force was mooted in the UK in the mid 19th century."

Wait, what? People will forget about a massive infringement of trust that was almost universally condemned because they forgot about the annoyance they felt at the introduction of the police force? Are you against the police force? I thought you were arguing against the libertarian tendencies of the facebook backers? I think that the acceptance of the police force was less to do with the public forgetting national outcries and more to do with the fact that a police force turned out to be a pretty good idea. The internet community has long memories and instant communication – too many infringements will tip the balance, and facebook knows it.

"Futhermore, have you Facebook users ever actually read the privacy policy? It tells you that you don't have much privacy. Facebook pretends to be about freedom, but isn't it really more like an ideologically motivated virtual totalitarian regime with a population that will very soon exceed the UK's? Thiel and the rest have created their own country, a country of consumers."

I genuinely don’t understand how you can compare facebook to a totalitarian regime. Totalitarian means a restriction of freedom, an allegiance to one ideology at pain of punishment. By this logic, the 59 million facebook users are all little libertarian prodigies, desperate to unleash themselves on the world. Whatever the intentions of its creators, facebook is a site connecting people digitally, not some sort of mass-hypnosis device, and no amount of hyperbole will escape the fact that it is built around people communicating in the medium that provides the most free speech ever experienced in the history of society. Such a system simply cannot be described as totalitarian.

Secondly, neither Theil nor anyone else has ‘created’ a country of consumers, the consumers already existed in their own countries. Countries, indeed, that have often been derided for their consumerism. Once again, facebook is taking things that already exist and grouping them. Facebook is not a country, any more than people who believe in communism form a country, or people who eat shredded wheat. It is a collection of separate and disparate individuals connected only by their use of a service.

"Now, you may, like Thiel and the other new masters of the cyberverse, find this social experiment tremendously exciting. Here at last is the Enlightenment state longed for since the Puritans of the 17th century sailed away to North America, a world where everyone is free to express themselves as they please, according to who is watching. National boundaries are a thing of the past and everyone cavorts together in freewheeling virtual space. Nature has been conquered through man's boundless ingenuity. Yes, and you may decide to send genius investor Thiel all your money, and certainly you'll be waiting impatiently for the public flotation of the unstoppable Facebook.

Or you might reflect that you don't really want to be part of this heavily-funded programme to create an arid global virtual republic, where your own self and your relationships with your friends are converted into commodites on sale to giant global brands. You may decide that you don't want to be part of this takeover bid for the world."

It doesn’t matter how much you talk about people being on sale, or us paying money to American investors, the fact is that the only people paying money are the advertising companies.

"For my own part, I am going to retreat from the whole thing, remain as unplugged as possible, and spend the time I save by not going on Facebook doing something useful, such as reading books. Why would I want to waste my time on Facebook when I still haven't read Keats' Endymion?"

Absolutely; why communicate at all when there is so much of interest in undiscovered solitary pursuits? Wait. Weren’t you decrying the society that led your friend to make just that decision on a Saturday night?

"And when there are seeds to be sown in my own back yard? I don't want to retreat from nature, I want to reconnect with it. Damn air-conditioning! And if I want to connect with the people around me, I will revert to an old piece of technology. It's free, it's easy and it delivers a uniquely individual experience in sharing information: it's called talking."

Yep, new technology is bad and trying to destroy nature. Thank you for opening our eyes to this danger we were blind to. Let us all return to our villages and our ploughshares. Good luck with the talking, but be careful you don’t use a phone there, because without the face-to-face experience of communication you may as well be burning down forests for all of the damage you are doing to nature.

"Facebook's privacy policy

Just for fun, try substituting the words 'Big Brother' whenever you read the word 'Facebook'

1 We will advertise at you

"When you use Facebook, you may set up your personal profile, form relationships, send messages, perform searches and queries, form groups, set up events, add applications, and transmit information through various channels. We collect this information so that we can provide you the service and offer personalised features."

Facebook could not operate without collecting and storing information. Without a database of personal information there would be no friends lists or groups or any data at all on the site. If data storage is suddenly linked to advertising then what can the national census be but a giant plot to get us all to buy government bonds.

"2 You can't delete anything

"When you update information, we usually keep a backup copy of the prior version for a reasonable period of time to enable reversion to the prior version of that information."

Yep, backups are bad. If the backups are accessible (by other users of the site or a third party), then that is a separate, and concerning, issue, but the simple existence of the backups is not suspicious at all.

"3 Anyone can glance at your intimate confessions

"... we cannot and do not guarantee that user content you post on the site will not be viewed by unauthorised persons. We are not responsible for circumvention of any privacy settings or security measures contained on the site. You understand and acknowledge that, even after removal, copies of user content may remain viewable in cached and archived pages or if other users have copied or stored your user content."

Anyone, that is, who can hack into the site. Without this policy, the site is open to complaints (and lawsuits) from people who were password-guessed, or who left sessions open. There is no way to guarantee data online is safe when there is a user interface to it, so facebook are covering themselves in case people are lax in their own security. Alternatively, take the view that if you don’t want other people knowing something, don’t put it online. If it’s only written in your paper diary, even the best hacker in the world can’t see it.

"4 Our marketing profile of you will be unbeatable

"Facebook may also collect information about you from other sources, such as newspapers, blogs, instant messaging services, and other users of the Facebook service through the operation of the service (eg, photo tags) in order to provide you with more useful information and a more personalised experience."

This is the only one I’m a little iffy about. I don’t really know what it means, and I’m not sure how it would work. I think that if facebook is actually practicing this then it would be useful to know how they are going about it, although it seems as though at least some of this particular passage is out of date.

"5 Opting out doesn't mean opting out

"Facebook reserves the right to send you notices about your account even if you opt out of all voluntary email notifications."

Because they don’t want to run up against their own policies if they need to send you emergency messages. If people who opted out were getting tons of messages, there would be a serious outcry, as there was with the Beacon disaster.

"6 The CIA may look at the stuff when they feel like it

"By using Facebook, you are consenting to have your personal data transferred to and processed in the United States ... We may be required to disclose user information pursuant to lawful requests, such as subpoenas or court orders, or in compliance with applicable laws. We do not reveal information until we have a good faith belief that an information request by law enforcement or private litigants meets applicable legal standards. Additionally, we may share account or other information when we believe it is necessary to comply with law, to protect our interests or property, to prevent fraud or other illegal activity perpetrated through the Facebook service or using the Facebook name, or to prevent imminent bodily harm. This may include sharing information with other companies, lawyers, agents or government agencies."

In the same way that they can look at anything stored digitally in the US, as long as they have the specific legal backing to do so. Again, this is at least partially addressed here.

In addition, these privacy policies are hardly unique among services provided online.

My aim in this response was not to explicity defend facebook as a company or as a service. There are still security issues, and security issues are inevitable with the incredibly rapid rise over a couple of years to a population greater than that of the UK. However, I think that the actual security issues have been mostly missed by Hodgkinson in this article, hence my response. I think that he seems to have issues with the internet, advertising and social networking in general, but very rarely facebook in particular. As the largest in its field, perhaps it has to take some of the general criticism on itself, but I think that in general the claims made against it are spurious or badly-phrased.

In particular, Hodgkinson mentions the companies hoping to advertise on facebook and notes their “marketing bullshit”. The point in this case that he seems to miss is that the companies are genuinely excited about a new business opportunity. The social networking boom has in some senses been going on for a decade or more, but the filtering through to every level of society is now really beginning to show, and no one really knows how some sectors are going to react. Advertisers themselves have no idea how they are going to utilise this new medium and structure without alienating users, and it is the solving of this problem that they are excited about.

I explained in a fair amount of detail why I didn’t agree with a lot of the more personal attacks on the investors and their philosophies further up this post, so I won’t go into it any more here.

One of the major issues with facebook that Hodgkinson totally misses is that of identity theft. The major problem in today’s society is how we can be open and communicative in the online world without being vulnerable to identity theft, and this is one that every social site will need to solve if it is to retain users. Another issue not mentioned is that of users being taken advantage of over the network. If an employer can check a user’s profile, photos, group memberships, etc, then there is the potential for biased appraisals and job interviews or even job losses.

Apart from a few previous issues with people being fired over blog entries, this is not a situation society has really reached before, and until we work out a way to completely granularise the security of the data presented about us online, problems are going to be encountered.

I hope it is clear that I am not fully in support of either side in this case. I don’t believe that facebook is perfect, and I think there is a long way to go, but I think that the article by Hodgkinson neither delves into the real issues, nor provides a convincing case to leave the site. As with anything, it is your personal decision, and the personal decisions of the 60 million using the site will decide facebook’s future. Personally I will continue to use it, since I find it both useful and entertaining, but will continue to look out for alternatives. The internet is the ultimate buyers market, and the ‘sellers’ will need to continuously adapt to survive.

Monday 14 January 2008

Linkables 14/1/8

I know, two links posts in a row is poor form, but I'm knackered at the moment, and want to have a clear head when I do a longer one. Really just posting to try and keep up my current sequence of daily posts. Bad form again, but trying to make myself post every day is helping me to actually do it, and I don't want to fall back into old habits.

So, without further wafflage:

Via Jabberwock, we have The Top 100 fundamentalist quotes (this is the actual site, but it seems to be down atm). Most of them are from forums, so it's possible that some of them are trolls, but even so, it's all to easy to believe that there are people out there that hold these views. However you interpret it, hilarious and scary at the same time.

America's worst foods - top 20 artery-busters...

And finally, an old article that was sent to me in jest, but led me to realise that I don't actually think that incest should necessarily be illegal. I'd be interested to hear other people's arguments, but I can't think of any real argument against it. I also didn't realise that incest is legal in France, but apparently so. Damn Frenchies... always one step ahead.

In search of the perfect pub quiz

So, yesterday afternoon (around 4:30ish) Katie and I were on our way to her's to go to a pub quiz, which found ok, but didn't particularly care for. And we realised that there would be noone going but ourselves, and that without other people this quiz really wasn't worth it. So we drove to Oxford to go to a quiz we used to go to every sunday evening (and to see friends there too).

So that's about an hour and a half each way, for a 2 hour quiz with friends. And it was totally worth it. It made me realise how rubbish some quizzes I've been to recently are, and what it is that makes a good quiz.

1 - The Questions
Obviously important, the questions should be on varied broad topics, and be suitably weighted. Having a round devoted to a very niche topic and having that round count for a lot of the quiz is really irritating (much as I keep wishing for a maths round). Also, questions shouldn't be 'you know it or you don't', or at least not all the time. The best questions are ones that if people don't know, they can guess at with some chance of being right.
I've also known a few quizzes to have a 'for fun' round, where the aim is to give the most amusing answer / draw the most amusing picture, with either a small seperate prize or most points for the biggest laugh from the crowd, and they always go down well.

2 - The Timing
There should obviously be time to answer each question, with intra-team discussion, but when you get a lot more than that the whole quiz can lose momentum and become boring. That said a mid quiz gap to let people talk to their teammates is also nice.

3 - The Prizes
Now, here I've had arguaments with people, but big prizes aren't a good thing. I've been to two quizzes regularly where weekly takings have been pooled and potentially, but actually fairly infrequnetly, given away at the end. These were then rolled over, and both have reached over £1000 in prize money (both were very popular quizzes too). Now whilst it does add a real element of tension as suddenly the prize is highly valued, it also devalues the rest of the quiz, as suddenly this prize, done sepperately, is far more significant than the £20 or so other prize; which is for actually winning the quiz.
Also, if the main quiz prize gets much beyond £20 in value it changes the quiz from mainly for fun to potentially really competative, and so fun environment.

4- The Quizmaster
Seemingly so simple, and yet actually so difficult. I've known two 'good' quizmasters, both were funny without being loud and full of themselves, both could read the questions aloud (something I've found isn't always the case) and both wrote the right sort of questions and kept the right timing.

So, whilst I enjoy pub quizzes, I've only known one or two that I would say were actually really good.

Sunday 13 January 2008

Linkables 13/1/8

Thanks to James (one of the occasional writers on this blog), I've just started to read some Asimov, and am very much enjoying it. Coincidentally, I found this short story (via KTR, somehow) by him, which I found hugely enjoyable, and possibly the best story of its length that I have ever read. I haven't read a huge number of short stories, so make of that recommendation what you will.

The highlights from del.icio.us this week:

How to actually win a fist fight: 'Winning' meaning (as it should), not getting the crap kicked out of you, and getting away. Seems like a pretty good guide for emergencies, though the best way to prepare for the worst is to get some proper training, clearly.

10 Creepiest old ads: These are pretty funny, though the effect is diminished by the fact that they are interspersed with occasional google ads, which are less funny and presented no differently than the old ads.

You're all cheaters: Continuation of Raph Koster's musings on cheating and RMT (real money transfer) in online games.

Shoot the stupid: Good source for viral comedy, found via a group email of this one at work. Note also: this one and this one.

And finally, I guess it was bound to happen eventually...

Comedy Review: Chris Rock at Birmingham NIA, 12/1/2008

Chris Rock is a comedian I've become a fan of relatively recently. I was first taken by the short clips shown of him on Channel 4's 100 Greatest Stand Ups aired last year, immediately wanting to see a full show of his. I now own two DVDs of his shows and thoroughly enjoyed watching them both. I therefore jumped at the chance to see him live when I heard he was doing his first ever shows in the UK in 2008.

He didn't disappoint. I was laughing throughout the show, and my friend Holly (who came to the show with me) and I were sorely disappointed that we had to miss the final ten minutes or so in order that we not miss the last train home from Birmingham. Although the subjects of Rock's material occasionally covered well-trodden ground (e.g. George W. Bush being an idiot), his unique take on the subject matter made it feel incredibly fresh. His more up-to-the-minute stuff - with victims including Britney Spears, Hillary Clinton and Barack Obama - also came off a charm.

Charm, I would say, is Chris Rock's main appeal to me. He is a very funny man. He is also a very funny black man, and like many black comedians Rock's comedy regularly returns to the theme of what it's like to be black and the differences between black people and white people. He is also a very funny American, and therefore his jokes are often to do with American culture. Everything he makes reference to therefore doesn't necessarily strike a chord with me, being as I am a white English man. But, as I said before, it is Rock's charm and personality that makes him such a successful comedian. He is mainly funny because he comes across as both a very likeable and very intelligent person. Despite occasionally touching on some highly contentious topics, I very much doubt Chris Rock's show tonight would cause anyone genuine offence. For the whole time he is on stage, Chris Rock is in control and knows exactly what he's talking about.

Overall this was a fantastic show, with very good support from Mario Joyner at the start. To anyone who hasn't seen any Chris Rock stand-up, I strongly urge you to give it a go. Watch one of his shows and I defy you, even if you aren't rolling on the floor laughing, to not be at least charmed by his sharp wit and intelligence.

Saturday 12 January 2008

Review: Sunshine (DVD)

Overall:
Fantastic sci-fi drama. Incredibly beautiful throughout, and just about manages to maintain a dark and interesting story despite a slight collapse towards the end. 8/10

Good Points:

Design. The setting is both incredibly confined, with all of the action taking place on board a relatively small ship, and incredibly exposed, with the sheer unimaginable scale of the sun itself a constant presence. Indeed, the sun itself almost becomes an actor, as its presence has a greater and greater bearing on the physical and mental states of the characters throughout the film, providing a point of focus for all and obsession for some. And yet both the sense of scale and the attention to detail are outstanding, providing constant moments throughout the film that stand up on their own as beautiful images. There is a fair amount of CGI, but it sits very neatly (for the most part) behind the actors, and never distracts from the performances, while the sets themselves are well conceived and believable.

Music. I very rarely notice a film's music, and certainly wouldn't claim to be able to judge it in any kind of aesthetic sense, but the music in Sunshine definately stuck out. Part of the reason for this is that there are large parts of the film that play out without dialogue, especially towards the end of the film, and these scenes almost turn into pieces of art, with swelling music behind beautiful flowing visuals.

Acting. Cillian Murphy is great, and the whole cast in general do an awesome job. There is a great feeling that a close group of colleagues is breaking apart throughout the film, as there is real chemistry between them, especially in the ensemble scenes.

Plot. The first two thirds are excellent, with a combination of psychological terror, claustrophobia and the real pressure of the mission driving a huge amount of tension. The decisions and dilemmas faced by the characters feel real, and I felt a real sense of pain and anger as each little thing went wrong, and each crisis unfolded. There is a complete avoidance of the 'heroes-saving-the-world' mentality that infects a lot of disaster-style sci-fi, and the characters genuinely come off as people trying to do the right thing in extraordinary situations. Things being to come apart slightly towards the end (see below), but by no means is the end of the film a lost cause, and if we allow ourselves to accept the story as it unfolds towards the final scenes, the visual poetry continues to increase, and the film almost becomes a dance, or a dream, without dialogue or any sense of reality at all.

Bad Points
Plot. Pretty much the only bad point I can think of concerning the film is the way that the story develops into the final third. I don't really mind that the style changes, and I don't really mind that the writer and director clearly had some interesting ideas, and wanted to try and get some philosophy into the film, but I have issues with the way that it was done. Rather than have these ideas appear as a theme throughout, they all suddenly appear in the final half hour, which is hugely confusing, as we don't know where any of the characters stand on the issues, or how they are meant to relate to the rest of the story. It also means that some of the power of the first two thirds of the film, as a really interesting examination of the psychology of a group of humans isolated in a situation of extraordinary pressure, is lost. Whereas the majority of the film deals with the creeping dangers of isolation and pressure and cabin fever, the focus suddenly shifts to a more visceral (and, I think, less interesting) danger, and a lot of out-of-the-blue philosophy. Like I say, I've got no problem with these ideas in themselves, I just wish I could have seen the ending to the film with the themes that were actually present in the first hour or so continued.


That was enormously difficult to write, since I was actively trying to avoid spoiling plot points. I may need to do a second review in which I don't restrict myself in this manner, or else do future reviews in two parts, since I think a lot of what I wanted to say about the film was lost in generalisations and waffle. Either way, it'll have to wait for another day.

Friday 11 January 2008

Big Shame

This is going to be a post about football, so if that's of no interest to you, then maybe best to skip it.

As a Newcastle supporter, I've been following the various crises and disasters this season with barely more than depressed resignation. As a team, I don't think I've seen us actually play consistently well for more than two games for six or seven years, and with back room changes occurring with ever more frequency, it doesn't really look like there's an end in sight.

While I won't deny that the football we've been playing under Sam Allardyce this season has fluctuated between poor and shockingly poor, we're not relegation-threatened, and realistically it's pretty unlikely that we're going to fall into the bottom three. We're not walking through teams, but we're scraping enough points to stay in mid-table, and short of a catastophic second half of the season, a low-mid table finish seems probable. There's no panic, there's no need to rush into anything, and Sam himself said when he took the job that he thought it would take 2 or 3 seasons to get us back into contention at the top of the league. But then after just 8 months of football which was no worse really than that played under Souness and Roeder, he's gone, and we're back to square one.

Apart from the obvious fact that we're playing poorly, two things in particular piss me off about the whole Allardyce situation, and the more general situation of football management. The first is the unbelievable amount of lying that goes on. Clearly you can't run a football club and stay silent the whole time, but when you've got a situation like the one at Newcastle, where the chairman can refer to the possibility of the manager losing his job by saying: "...I find all this speculation tedious. There's a different name every week and there's just no truth in it", one day, only for the manager to leave "by mutual consent" just 8 days later. Similarly, back in October, the new chairman of Derby county "claimed he is '100%' behind Derby's manager and also promised to make funds available for team strengthening in January", and less than a month later manager Billy Davies was gone.

Then you get the situation with any search for a new manager; people are interested, people rule themselves out, there are secret meetings and deals and then suddenly someone accepts an offer. I remember the speculation before Graham Souness was confirmed as Newcastle boss, and when he was posited as a possible manager, he claimed he was perfectly happy at Blackburn, only to accept the job a few days later.

It seems ludicrous to me that there are such huge disparities between what the clubs release as press statements and what they actually end up doing. Either no one running a football club actually knows what they're talking about, or the press is making up stories or the club is willing to lie to the press in order to keep negotiations and disputes a secret. No doubt there are some elements of all of these options that go on, but what it ultimately comes down to is that when a chairman publicly backs a manager, it is taken as a bad thing. There is no way any more for a club to dispel transfer rumours or claims of discontent because no one believes anything in a press release. This then leads on to the second thing that pisses me off, the media.

From almost the moment he was appointed, Sam Allardyce was described as 'under pressure'. There are, we are told 'huge expectations' in Newcastle, for 'a certain kind of football' and there was 'uncertainty in the stands' as to whether he was the right man for the job. Then, after a couple of poor performances, the media picked up on some heckling from the crowd and started to step up a gear. Every time his name was mentioned in the media it carried the tag 'under pressure' or 'under fire', dressing-room mutinies were discussed, boardroom unrest was pondered, and once again we were reminded that the Newcastle fans had 'huge expectations'.

This is after 12 premiership games. What manager could possibly be expected to have sorted a team like Newcastle out after 12 games? Yes, there was some abuse levelled at Sam during the Liverpool game, but we were losing a match at home and even the best of managers is going to suffer some abuse under those circumstances. Much of it was coming from the Liverpool supporters, but apparently the Newcastle fans were lax in 'whistling it down', whatever that means. Apparently the fans were deeply unhappy with the club, and in particular the manager, and there were questions over how long he would survive.

In particular, the media took great pains to remind us again and again that Newcastle fans wanted a return to the free-flowing football of the Keegan era, and that Big Sam's long-ball solution wasn't popular. While not being an outright lie, the sentiment behind it is total crap. Yes, Newcastle fans would love to see the team winning games 4-3 again. We'd love to see a free-flowing style ripping defences apart, with a midfield full of creative players and a constant push for goals. But what supporters would not want that? Yes, I'd love to see us playing like Arsenal, but we're not Arsenal - we don't have the skill and we don't have the team cohesion. I want to see us win. I don't really care if it's messy, but I want to see the players playing with passion and determination, and I want us to grind out results.

If we lose a couple of games then so be it. All teams do that. If we lose a couple of games by gifting goals to the opposition and never threatening to score and with half the team looking like they don't really give a shit and just want to pick up a paycheck, then yes, we're going to complain. Football supporters complaining is not a new thing, it shouldn't be a surprising thing, and it certainly shouldn't be taken as a desire to replace the manager. For goodness sake, John Gregory held on at Villa for what seemed like forever with 'Gregory out' banners hanging from the stadium before finally walking.

Since when did the media decide that they needed to translate what the fans mean? If we want the manager out, we'll make it bloody clear, and up until that point, we just want to see a team playing with belief and determination and the occasional three points. We know that we're not going to be challenging for the title next season, or even the season after, but a manager with a three year plan seemed like our best hope for an eventual return to higher league positions, and I think many fans were genuinely interested to see what he wanted to try and do with the club, but thanks to the hypocritical bullshit of modern football and the ridiculous scaremongering of the media, we'll never get a chance to find out.

And don't even get me started on whether the fans actually want Shearer to take over as manager.

Thursday 10 January 2008

Review: Lust, Caution

Overall:
Intriguing thriller that possibly moves too slowly for its own good. Great visuals, acting and a subtle script that leaves a lot unsaid. 8/10

Good Points:

Acting. Wei Tang does amazingly well for a débutante, giving a really understated performance that makes her look like an accomplished actor. All of the main actors did brilliantly, Joan Chen and Lee Hom-Wong being the pick of the supporting cast, but I thought that the stand out performance was Tony Leung as Mr. Yee. The character shifts almost schizophrenically between extremes, depending on the situation, and yet Leung manages to still make it feel like two sides of the same person. Also, despite the obvious cruelty and ruthlessness of the character, we grow to almost pity him by the end of the film.

Plot. I didn't know the story beforehand, so I found the process of actually finding out the storyline to be very enjoyable. The plot itself is dark and ambiguous, all of the characters have their strengths and weaknesses, with no real focus on 'good' and 'bad'.

Design. I have no idea what second world war era Shanghai and Hong Kong looked like, but I'm willing to believe that it was close to the efforts made in this film. The setting goes from high class mansions to the food handouts on the streets of Shanghai, and remains both realistic and restrained. The street life around the actors seemed authentic and not once did I find myself distracted by the surroundings.

Violence. There is a threat of violence throughout the film (the setting is that of a military occupation, after all), but there's really very little on screen. What there is, however, is done extremely well and manages to be shocking without being gruesome.

Comedy. The subject and story are all fairly bleak, but there are some excellent moments of dark humour scattered throughout as well.

Bad Points
Pacing. It was probably just about the right length in the end, but the plot development comes in bursts, and in between the sections of exposition, there are occasional lulls, where the tension drops, and the story seems to falter a little. There was also a bit of repetition of some of the central plot points, which was presumably intentional, but got a little annoying.

Setting. I would liked to have known more about Mr Yee's role in the country, and the general situation of the Japanese occupation. It's a minor point, since the actual wartime setting wasn't a major point in the story, but I still felt slightly like I'd missed an introduction somewhere. It's easy to pick up what's going on, but I fear I might have missed any more subtle plot points or devices by my lack of knowledge of the period.

Relationship. The central relationship, between Ms. Mak and Mr Yee is the most important one in the film, and I didn't feel as if it quite worked. Maybe I didn't really get some of the subtext, but there seemed to be a lot of implied interaction that the audience never saw. The relationship (especially in the second half of the film) seemed to grow very quickly with little prompting, and despite all of the opposition it should have faced. Again, maybe I didn't really take in what was going on, but it seemed like the huge depth of feeling that is implied to have existed between the two of them was only half-built during the film.

Similarly, maybe I didn't fully get the relationship, but I'm not sure that the much discussed sex scenes needed to be as graphic or extensive as they were. I agree that they were important in context, but I think that they could have served equally well in a more restrained style.

Language. I've not got anything against the fact that it was subtitled (an option vastly preferable to dubbing), but the first ten minutes or so are very difficult to follow, with four or five characters you don't know talking to one another about a situation you aren't aware of while playing a game you don't understand. Like the setting point above, it's a minor thing that quickly resolves itself, but I did feel a little bit lost to start with.

Wednesday 9 January 2008

Linkables 9/1/8

It's been fun watching the initial stages of the US Presidential Primaries - something I've been excited about ever since the first time I finished watching the West Wing. I'm not going to say anything particular about the races themselves (I don't really know enough about the politics of any of the candidates), but I have got a couple of interesting links on the election theme:

A NY Times report on voting machines, and the dangers involved in relying on them (via Joel on Software)

and an interview about different ways of organising electoral representation (via plasticbag.org)

And, finally, a link I meant to put on the end of yesterday's post about movie trailers, but forgot about: Trajan is the movie font.

Tuesday 8 January 2008

Trailing behind

Anyone who's ever been to the cinema with me will have heard me moan vociferously about the standard of modern trailers, so it's always nice to be able to point to an example of film trailing done right.

So what makes a good trailer? This is a very difficult question to answer, because it depends on the type of film being advertised. In order to be memorable, it needs to do three things:

It needs to show what makes it original or special. It sounds harsh, but there are a huge number of films out there telling very similar stories. The viewer needs to know as soon as possible that there is something about this particular story that is worth seeing.

It needs to leave you wanting more. There is no point in making a trailer that leaves the viewer entertained, but with a feeling that they could pretty easily guess the plot of the film.

It needs to get something stuck in your head. The best thing a trailer can do is make you go and see the film, and so it needs you to remember the film in two or three weeks or however long it takes for it to be released. It can cement this memory by providing a memorable image or line of dialogue that will reappear in the viewer's mind when they see a poster or a reference to the film and immediately revitalise their excitement about the film.

Trailers that do it right: Sin City, Night Watch, Cloverfield.

And, on the flip side, what makes a poor trailer? Please, if you ever have to make a trailer:

Don't put all of your special effects shots into the trailer. Yes, I know you're very proud of that shot of a car crashing into a helicopter in mid air, but showing it to me in slow motion in the trailer means that I know it's going to happen in the film. Which, in turn, means that when the scene starts to build up (when I'm watching the movie itself), I'm going to think 'oh, I bet he gets out of this by flinging a car into the helicopter'. All surprise and tension disappears from the scene, and what should have been a great climactic moment turns into just another explosion.

Don't give away any of the film's twists or revelations. Should be an obvious one, really, but if you show me a shot of the good guy and bad guy facing off together on a rooftop, then I know that they will face off on a rooftop, and up until that moment, I will never fear for either of their lives, no matter what life-and-death situations they are put into. Even if you only show it for a second, after seeing the trailer two or three times, I'm going to start to pick out what is happening, in even the shorter-cut sections.

Don't give away your one-liners. If your film is a comedy, then clearly there should be some jokes in the trailer to indicate this, but putting a genuinely witty bit of dialogue in the trailer means that the audience won't be laughing at that bit in the film, and so putting your funniest moments in the trailer will leave you with a disappointed audience after the film.

Trailers that do it wrong: Die Hard 4.0, Pirates of the Caribbean: Dead Man's Chest, Spiderman 3

Making a trailer is a difficult job, and no doubt there are films that do not suit this form of advertising, but I definitely believe that a good trailer can enhance anticipation and enjoyment of a film, whereas a poor one can destroy it.

Most major modern films also seem to produce multiple trailers, and in general I find the longer the trailer the worse the trailer. I can't think of a situation where seeing a longer trailer has made me more likely to see a film, but I can think of a number of situations where seeing the longer trailer has decreased my anticipation and enjoyment of the film significantly (usually due to one of the three "don't" points above).

The films I have mentioned as specifics are not necessarily the worst or the best out there, but they are the ones that provoked the biggest reaction in me when I saw them. This whole post was triggered by my viewing of the Cloverfield trailer, which satisfied, I think, all of the three good points, and (as far as I know) none of the bad. Naturally, I won't know for certain until I've seen the film.

The other thing that seeing this trailer has made me think about is how much I try to avoid all other information once I spot a film I know I want to see. I know I want to see Cloverfield, and I knew this from about halfway through the trailer, but I know that I want to see it with as clear a mind as possible. So no reviews, no spoilers, no other trailers, no interviews, no tv spots, nothing. I don't want to have any aspect of the plot spoiled or even hinted at, as I want the experience to be as compelling as possible. I have found the films for which I have managed to stay in the dark in this way very rewarding in the past, and so I generally try and do it for any film where my first impression is favourable enough.

Hence I have to get through the next month or so avoiding all media references to Cloverfield, Sweeny Todd, There Will Be Blood and No Country for Old Men, four films I am very much looking forward to seeing.

Apologies if that was kind of unfocused. I wasn't really sure what I was trying to say, and didn't have any real common theme or conclusions. On a film-related note, however, I am going to try and do a review (quick or otherwise) of any film I see this year, whether at the cinema or on DVD. I hope this will be interesting for anyone reading, but if you think this is a tremendously bad idea, do let me know.